As a child, I was not a
fan of history. For me, history was battles, dates and old white
men. What I loved was English.
Words. Language. Stories.
I even looked forward to Friday spelling tests. But when my
teachers pulled down the oversized map at the front of the room or asked us to
open our social studies textbooks, my eyes glazed over. It would be years
before I realized that stories are the foundation of both history and English.
In the early 1970’s, I
stood out in my class. Not because of my academic abilities, but because
as the often only African American in my class, there were topics that would
cause noticeable discomfort among my classmates and ultimately myself. The
discussions of slavery painted my entire ancestry with one broad brush of
victimhood and were portrayed in stark contrast to the narrative of the
kindly white abolitionists and Union soldiers and a tall bearded President who
did all of the work in navigating the freedoms of their black
brethren.
Our textbooks noted only
a smattering of African Americans who made contributions to the country
throughout the hundreds of years of American history--Martin Luther King,
George Washington Carver, Frederick Douglass, and Harriet Tubman--notable
figures who were painted as rare exceptions, a credit to their race,
among a host of whites who seemingly built this country, unaided, from the
ground up by their sheer ingenuity, tenacity, intellect, and
perseverance.
The more I began to read
outside of my classroom textbooks, the more I learned about my own history and
the history of other marginalized and underrepresented groups. And it was
then that I started writing. I began
writing picture book biographies to fill in the gaps where my history
belonged. I wrote stories of athletes
in Satchel Paige, Game
Changers: The Story of Venus and Serena Williams, Major Taylor:
Champion Cyclist, and Young Pele: Soccer’s First Star, and how
their struggles to compete, to be recognized, to overcome racism and
segregation in sports meant I never saw their names alongside those of Babe
Ruth and Joe DiMaggio. I wrote stories of freedom fighters Frederick
Douglass, Ethel Payne and Harriet Tubman, whose quest for freedom, equity and
truth meant they left behind a legacy of courage.
I write of artistic
legends Louis Armstrong, Teddy Wilson, Langston Hughes, Gwendolyn Brooks, and
Joseph Boulogne Chevalier de Saint George, whose authentic words and music
refused to be silenced and forever altered our cultural landscape.
Diving into history to
uncover the stories of the vital roles people of color have played in the
shaping and building of this country has led me across the political, cultural,
educational, and religious spectrum. It has at times filled me with
frustration, exhilaration, contemplation, and nearly always led me to the
question, “How did I not know
this?” The answer is so simple and abundantly clear--These stories
were never there for me to read.
But the beauty of
writing comes in discovering your subjects anew, and introducing them to the
world. By allowing their voices to be heard on the pages of each book we
write, we hear their struggle and sacrifice, their hopes and dreams.
Placing them in historic context links together moments in history like
connecting the pieces of a puzzle.
In my elementary
classrooms, the history that centered on the role of African Americans was
focused in slavery or in the Civil Rights movement. But the richness of our
experience didn’t begin and end with those milestones. We can’t begin to discuss the Civil Rights
movement of the 1960’s without discussions that include Jamestown, the role of
resistance throughout slavery, Reconstruction, Westward Expansion, The Great
Migration, African Americans in the military, and The Harlem
Renaissance.
Textbooks today are
seeing modest changes in their attempts to provide a more balanced, less
Eurocentric view of history, but there is a long way to go. In the recent New York
Times article, “Two States. Eight Textbooks. Two American Stories,” Albert
S. Broussard, author of the Texas and California edition of McGraw Hill textbooks
stated, “American history is not anymore the story of great white men.”
As a nonfiction author,
the job I have is to tell the truth. The sometimes very ugly, hurtful, painful
truth. While textbooks have, and often still do, omit the crucial stories that
provide a complete, unabridged version of events, my history cannot be erased.
Non-fiction
biographies help to bridge the gap by revealing the crucial role of
African Americans in the building of this country and demonstrate how the
lessons from a troubled history can provide a roadmap for a better
future. They give young readers a broader understanding of our shared
history, our culture and our strengths.
These stories hold value
not only for the underrepresented children sitting in classrooms, but for all
children.
When I look back
to find voices from the past, I am looking forward, too, into a future that
remembers that a history that tells the honest, balanced, authentic, stories of
everyone, is a history that belongs to all of us.
ABOUT THE AUTHOR
Lesa Cline-Ransome’s first book was the biography Satchel
Paige, an ALA Notable Book and a
Bank Street College “Best Children’s Book of the Year. She later created Major Taylor: Champion Cyclist, Young Pele, Words Set Me Free, Light in the Darkness, Benny Goodman and
Teddy Wilson, Light in the Darkness, Freedom’s School, My Story, My Dance, Just a Lucky So and So: The Story of Louis Armstrong and Germs: Fact and Fiction, Friends and Foes, and Game Changers: The Story of Venus and Serena Williams. Her verse biography of Harriet Tubman, Before She Was Harriet received five
starred reviews, was nominated for an NAACP image award, and received a Coretta
Scott King Honor for Illustration. Her
debut middle grade novel, Finding
Langston, was the 2019 winner of the Scott O’Dell Award for Historical
Fiction and received the Coretta Scott King Award Author Honor. The sequel, Leaving Lymon will be
released in Spring 2020.
Lesa’s books have received numerous honors and awards
including NAACP Awards, Kirkus Best Books, ALA Notable, CBC Choice Awards, two
Top 10 Sports Books for Youth, and an Orbis Pictus Recommended Book. She lives
in the Hudson Valley region of New York with her husband, and frequent
collaborator, James Ransome and their family.
Visit her at www.lesaclineransome.com.
ABOUT THE PRIZE
One lucky winner will receive an autographed copy of Before She Was Harriet.
Leave one comment below about what struck you in the post.
You’re eligible to win if you’re a registered NF Fest participant and you have contributed one comment below.
Leave one comment below about what struck you in the post.
You’re eligible to win if you’re a registered NF Fest participant and you have contributed one comment below.


