Showing posts with label Backmatter. Show all posts
Showing posts with label Backmatter. Show all posts

Wednesday, February 26, 2025

WHAT TO DO WITH ALL THE RESEARCH THAT WON’T FIT INTO YOUR STORY

by Michelle Cusolito

One of the biggest challenges of writing nonfiction books is corralling the volume of research I uncover. And then, there’s always way more information than I can reasonably fit into the main text of the book. I used to get frustrated, but I learned all of that “stuff” is valuable.

I’ll share examples from my work with the hope that they’ll spark ideas for you.

My top 6 suggestions:

     1. Front Matter/Back matter/end papers: I always include an author’s note that explains how I came to the story and how I researched it. I also include selected sources and suggested books, films, websites, etc. so young readers can learn more. Sometimes we include a glossary, or a diagram related to the book. For example, In the World of Whales has a detailed diagram of sperm whale anatomy created by Jessica Lanan. Sometimes content is even included on the endpapers. My editor and I knew we wanted to include the life cycle of jellyfish in Jellyfish Scientist: Maude Delap and Her Mesmerizing Medusas, but it didn’t fit in the back matter. Ellen Rooney created a gorgeous illustration for the end papers.


2. Content for Classroom Teachers/Teacher’s Guides: Create materials for teachers. Sometimes publishers will create materials, as well. (Here’s an example my publisher created for Diving Deep). I’ve often shared my ideas in blogposts such as on Patricia Newman’s LitLinks. One post called Will it Sink or Float is a hands-on experiment that makes use of my first two books. How to Turn a Student into an Effective Science Communicator is a writing focused lesson that utilizes my second two books.

     3. Blog posts: I love to include “insider details” related to the making of my book in blogposts. For example, on Sue Heavenrich’s blog, I shared details about how I kept track of my research while living and working on a research vessel to write A Window into the Ocean Twilight Zone: Twenty-Four Days of Science at Sea. On Jonathan Roth’s blog, I shared how I prepared physically and mentally to be out at sea in the North Atlantic.

     4. Stories for School and Library Visits/Other Speaking Engagements/Interviews: There’s always a fun story or fact that you want to include in your book, but it simply does not fit the narrative or the structure of the book. For example, Maude Delap, the focus of my next book is known for being the first person to raise jellyfish through their full life cycle (in rural Ireland from 1899-1900!) But there’s this amazing story about her hiring some men to help her bury a (stranded) whale carcass in her garden to help decompose the stinky flesh. She later sent the skeleton to the Natural History Museum in Dublin where it’s still displayed. Oh, how I wanted to put that in the main body of my book, but it simply didn’t fit with the story I was telling. I mention it in the back matter and I love to elaborate upon it when I do public speaking events.



5. Social Media Posts: One of my favorite things to do in the lead up to publication is prepare short posts for social media that share additional details/behind the scenes information. I’m preparing some of those right now for Jellyfish Scientist. I’ve visited the island where Maude lived, so I’m creating posts with photos and/or short videos that show where she went to church, where she lived, where she discovered the sea anemone that was named after her, etc. I’ll also share photos of me with some of the experts who assisted with my research. (I did this for A Window into the Ocean Twilight Zone, if you want to see examples. Or, watch for my Jellyfish Scientist posts on Instagram, coming soon).

     6. Write a New Book: Both of the books I have publishing this year are examples of this. I learned about Maude Delap while I was researching for another (not yet sold) book. Likewise, I learned the remarkable story featured in the book, In the World of Whales, while researching for my book Diving Deep. In this extraordinary story, a freediver was welcomed at the birth of a sperm whale. I immediately knew it had to be a book.

What ideas came up for you as you read this post? Brainstorm a quick list while everything is fresh in your mind. As you continue working on your book, jot your ideas down as they come to you. And save everything, including drafts and dummies. Those are great materials for school visits!

 
 
About the Author
Photo by Marley Parker

Michelle Cusolito is the award-winning author of Flying Deep: Climb Inside Deep-Sea Submersible Alvin, Diving Deep: Using Machines to Explore the Ocean, and Window into the Ocean Twilight Zone: Twenty-Four Days of Science at Sea. Jellyfish Scientist: Maude Delap  and her Mesmerizing Medusas comes out in April, and In the World of Whales publishes in June. Her not-yet-announced sixth book is a “land-based” book. Yep. She’s branching out. Michelle teaches writing in the MFA program at Simmons University.

Monday, February 17, 2025

WHY BACKMATTER MATTERS


One of the best parts about writing nonfiction is having an excuse to do research. Invariably,
though, most of that research can’t fit into the main text of the book, either because of space or content. Luckily, a solution exists. You can still include some of the information you gathered doing research for your book. Where? In backmatter! 

There are so many different types of backmatter—sources used to timelines, glossaries to more information about a person or topic, child-directed information to author or illustrator notes, and so much more.

Showing your readers the sources you used can help them delve even more deeply into your book’s subject. A bibliography will give them resources they can use for further research (Bad News for Outlaws by Vaunda Micheaux Nelson, illus. by R. Gregory Christie). In addition, citations (The Stuff Between Stars by Sandra Nickel, illus. by Aimée Sicuro) and photo credits (A Black Hole Is Not a Hole by Carolyn Cinami DeCristofano, illus. by Michael Carroll) will help them find more information about a specific quotation or picture.

Sources can range from websites (Grace Banker and Her Hello Girls Answer the Call by
Claudia Friddell, illus. by Elizabeth Baddeley) to videos (Pigskins to Paintbrushes by Don Tate),filmography (Hedy Lamarr’s Double Life by Laurie Wallmark, illus. by Katy Wu), and discography (Joni by Selina Alko). You can even include real world places (Manhattan by Jennifer Thermes) readers can visit that are related to your book.

Timelines in backmatter are common, especially in biographies. To put an individual’s life events in context, it’s useful to intersperse world events in the timeline (Grace Hopper: Queen of Computer Code by Laurie Wallmark, illus. by Katy Wu). For books that occur during a specific time period, a historical timeline (Gloria Takes a Stand by Jessica M. Rinker, illus. by Daria Peoples-Riley) can help readers orient themselves to the proper setting.

Glossaries can be extremely helpful for your readers. These might include unfamiliar specialty words such as scientific or historical terms (The Nest That Wren Built by Randi Sonenshine, illus. by Anne Hunter). If your text contains non-English words, you might want to include a pronunciation guide (Magic Ramen by Andrea Wang, illus. by Kana Urbanowicz) and translations (The Floating Field by Scott Riley, illus. by Nguyen Quang and Kim Lien) for these.

If you’re writing a biography, backmatter is a great place to include more information about a person’s life. This might be a narrative overview that covers life events not portrayed in the main text (Digging For Words by Angela Burke Kunkel, illus. by Paola Escobar). Since listing a person’s honors and achievements within the text can be boring, you can expand on these in the backmatter (Beyoncé by Nansubuga Nagadya Isdahl, illus. by Tammy Taylor).

You can also include more information (from all that great research you did) about your book’s topic. The possibilities are almost endless here. You can write more about cultures (Classified by Traci Sorrell, illus. by Natasha Donovan) described or holidays (A Queen to the Rescue by Nancy Churnin, illus. by Yevgenia Nayberg) related to those cultures. Depending upon the book’s topic, it may be appropriate to include backmatter about games (The Queen of Chess by Laurie Wallmark, illus. by Stevie Lewis), song lyrics (For Spacious Skies by Nancy Churnin, illus. by Olga Baumert), or even recipes (Gingerbread for Liberty by Mara Rockliff, illus. by Vincent X. Kirsch). Diagrams (How to Build an Insect by Roberta Gibson, illus. by Anne Lambelet) may be useful in helping your readers understand the text better.

Often pieces of backmatter are aimed directly at the child reader. Related activities (Code Breaker, Spy Hunter by Laurie Wallmark, illus. by Brooke Smart) or tips on writing craft (No Voice Too Small by Lindsay H. Metcalf, Keila V. Dawson, and Jeanette Bradley) provide an interactive component to the book. Backmatter may consist of ideas for creating change (Run Sea Turtle, Run by Stephen R. Swinburne, photographs by Guillaume Feuillet). A list of books for additional reading (Grace Hopper: Queen of Computer Code by Laurie Wallmark, illus. by Katy Wu) is great for children who want to learn more about a person or topic.

Finally, author and/or illustrator notes commonly appear in the back matter. These might include personal narratives about a person’s reason for writing (Journey to The Stars by Laurie Wallmark and Raakhee Mirchandani, illus. by Maitreyi Ghosh) or illustrating (Unspeakable by Carole Boston Weatherford, illus. by Floyd Cooper) the book. These notes are also a great way to explain the research methods you used (An Inconvenient Alphabet by Beth Anderson, illus. by Elizabeth Baddeley).

Backmatter will provide added value to your nonfiction book.



About the Author:

Award-winning author Laurie Wallmark writes picture book biographies of women in STEM as well as fiction. Her books have earned six starred trade reviews, been chosen as Junior Library Guild Selections, and received awards such as Outstanding Science Trade Book, Crystal Kite, Best STEM, and Parents’ Choice Gold Medal. Laurie’s books have been translated into seven foreign languages. Her titles include GRACE HOPPER: QUEEN OF COMPUTER CODE; RIVKA’S PRESENTS; and THE QUEEN OF CHESS. Laurie has an MFA in Writing from VCFA and is a former software engineer and computer science professor. Find Laurie online at www.lauriewallmark.com and @lauriewallmark.